THE GRAND BUDAPEST HOTEL
The film I cut my teeth on, and the work I hold closest to my heart: Wes Anderson’s Grand Budapest Hotel.
Isle of Dogs
Maps, newspapers, and hand-lettered signage for Wes Anderson’s stop-frame feature.
The boxtrolls
Box label drawings for Laika’s animated feature about a gang of trolls living in caves under the city of Cheesebridge.
BRIDGE OF SPIES
Fake CIA documents, forged passports, and East German ephemera for Spielberg’s Cold War thriller Bridge of Spies.
PENNY DREADFUL
Hand-drawn signage and imitation letterpress street posters for a Victorian London inhabited by monsters.
THE TUDORS
My very first job in television: royal scrolls, stained glass, and antique maps for the series about Henry VIII.
WONDERSTRUCK
Graphic design for two time periods, the 1920s and the 1970s, in Todd Haynes’ adaptation of the graphic novel.